The Cobbler
Directed by Thomas McCarthy and Tom McCarthy
Starring Steve Buscemi, Adam Sandler, Dan Stevens, Dustin Hoffman and Ellen Barkin
Max Simkin repairs shoes in the same New York shop that has been in his family for generations. Disenchanted with the grind of daily life, Max stumbles upon a magical heirloom that allows him to step into the lives of his customers and see the world in a new way. Sometimes walking in another man's shoes is the only way one can discover who they really are.
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Reviews
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★★★½ review by metalmeatwad on Letterboxd
You are the Guardian of Soles, you are The Cobbler.
Inside a shoe repair shop within Lower Eastside Manhattan lies the World's 2nd Hasidic Superhero! Oy vey! I liked this.
The Cobbler, otherwise known as Bei Mir Bistu Shein (To Me You're Beautiful, is a contemporary Yiddish Fairy Tale that's both a testament to Jewish independent film and old school Adam Sandler fans alike. If The Cobbler was made on a larger-scale budget, I think this somewhat flawed film could have been more successful, but what we got overall was both a fun and irrefutable Sandler-esque experiment from Director Thomas McCarthy. The Cobbler really feels like a bit of a callback to the more successful Sandler comedies. This feels like a very personal film for the brilliant Director, and it shows. You get the sense McCarthy is someone who's clearly both a fan of the Sand-Man and a true MACHER, who made this looking to get more in touch with his Jewish faith. I honestly feel like this film was sparked from a conversation with McCarthy's Rabbi over their love of old school Adam Sandler Cinema, and crafted together an original Yiddish Fairy Tale Comedy.
This is a very Jewish contemporary fairy tale and homage to Sandler cinema, full of life lessons and religious themes (sometimes, a little too in your face). Despite the experiment being flawed, Sandler is in top form. He delivers a rich and nuanced performance as social outcast and shoe repairman Max Simkin. I cannot forget to mention the Yiddish-inspired score by John Debney accompanying the film is a mitzvah on its own.
Not every scene in The Cobbler works. I admit this experiment/side-project is a bit of mess, and was clearly faced with limitations out of McCarthy's control, but I can see a lot of labor and love put into it. It's an indie-flick unable to fully transition to a mainstream movie. The film's life lessons and heart are in the right place, and delivers just enough, laughs unpredictability, heart, and fun from being a total flop.
No regrets Thomas McCarthy, no regrets. [B]
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★★★½ review by Kiko Vega on Letterboxd
Thomas McCarthy sigue contando historias de gente triste, sólo que ahora aporta unas inesperadas y atractivas pinceladas de cine superheróico, con Darkman como principal referente, en un popurrí que se presume indigesto hasta que decide tirar por el lado más loco imaginable.
Vas a leer una sartenada de SANDLECES de aquí en adelante, la mayoría escritas/dichas por personas que habrán visto cinco pelis del actor, pero confía en mi: The Cobbler es extraña, sencilla y jodidamente mágica. -
★★★★ review by Jessica on Letterboxd
Amazing 👍
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★★★★ review by Gene Gosewehr on Letterboxd
A nice, well paced film using magical realism based entirely on the phrase, "you don't know a man until you've walked a mile in his shoes."
Method Man surprised a bit with his versatility and Sandler was satisfactory. I wouldn't call it great but it's pretty good.
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★★★★★ review by Clinton Hallahan on Letterboxd
A masterpiece of terrible film. Has an ending so insane it has to be seen to be believed.
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